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Several Bassman models were progressively influenced by the 5D6 through the last Fender Tweed 5F6-A Bassman's circuit design.The 5F6-A Bassman's design was directly copied by Marshall Amplifiers within their JTM-45 amplifier during the early 1960s. The first series of the reissue were made at the Corona, California facility, and came equipped with four Eminence-made 10" blue frame Al Ni Co speakers, and a solid state rectifier unit.Fender ceased production of 5B6 Bassman amplifiers during the spring of 1954.During November 1954, Fender introduced the newly designed 5D6 Bassman amplifier offering four ten inch speakers and was designed utilizing two rectifier tubes.Later on, production was moved to Ensenada, Baja California, and the model name was altered to "59 Bassman LTD".The LTD came equipped with the original 5AR4 rectifier tube, and four Jensen P10R reissue alnico speakers, which was period correct for the original amp.This model also had four Jensen P10R speakers, but the power supply was redesigned around a single 83 mercury vapor rectifier tube, and a new preamp circuit was introduced that included a three knob tone stack, with separate controls for Treble, Mid and Bass.The power amp included a "long tailed pair" phase inverter, an innovation that noticeably increased the "headroom" or clean power output capability of the amplifier.

Fender began making other models with tweed covering, a similar open backed cabinet with a rectangular grill cloth and a narrow (just over an inch wide) tweed covered panel at the top and bottom.Many professional music industry analysts have heralded the 1950s Fender 4×10 Bassman amps as the greatest guitar amp ever.The first 1954 Fender Tweed 5D6 4×10 circuit generated further Tweed Bassman amplifier development through 1960.The 6G6 model was covered in rough Blonde colored Tolex material with Oxblood colored grill cloth.It had a single GZ34 rectifier, two 5881/6L6GC power tubes and four 12AX7 preamp tubes.

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